The CZ-1synthesizer is most advanced in the CZ collection. The simulated filtration system resonance was not considered to sound very much like real filter resonance, getting a simple waveform at the filtration system cutoff worth rather of a genuine filtration system resonating. It acquired in complete eight different waveforms: as nicely as the standard sawtooth, block, and pulse waveforms, it had a particular dual sine waveform, á half-sine wavéform, and three wavéforms with simulated filter resonance: resonant sawtooth, triangle, and trapezoidal waveforms. However, the CZ series used stage distortion to replicate an analog filter. Like numerous early electronic synthesizers, its audio was viewed as 'slimmer' than the sound of an analog synthesizer. To make the CZ synthesizers affordable, so they would become affordable to inexperienced musicians (a much larger market than the professional musician marketplace), Casio used digital synthesis without a filter rather of traditional analog subtractive synthesis with a filtration system. Yukihiro Tákahashi was furthermore on panel during advancement 1he after that toured with á CZ-1 in 1986. Casio'beds phase distortion activity technique has been championed by Casio professional Mark Fukuda and developed from the Cosmo Synth Program that was custom-developed for famous synthesist-composer lsao Tomita.
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